The fashion area, a dedicated haute couture precinct with 70 signature shops, has the fashion catwalk at its heart. Advanced LEDs has created a stunning focal fixture above the catwalk, by lighting the huge sails with 6.5 kW LED lighting from 76 specially-designed RGBW fittings.

Each fitting is individually controlled through wireless DMX. The sails (colored green, red or blue in the three photos) are lit with perfect uniformity as their colors change dramatically up and down through the encircling LED screen rings. The sails have also been designed for image projection.
via LED Magazine

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Element Labs, Inc., an industry leader in LED video technology, was contracted by Doha Asian Games Organising Committee (DAGOC) to created the largest custom LED screen ever used for a live event. Especially designed for the opening and closing ceremonies of the 15th Asian Games in Doha, Qatar, the exterior Versa® RAY screen made its debut during the Opening Ceremony on December 1, 2006 at Khalifa Stadium.
The massive size of the display—covering over 4,500 square meters, or 45,000 square feet—allowed it to be used in ways previously unachievable. It was both an integral element of the show on the field as well as an informative display during the Parade of Athletes. Hours of rich, beautiful content were created specifically for the Ceremonies to dazzle the audience and make the event unlike anything seen before.

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LAb[au] is happy to announce you its new urban interactive installation Touch on the Dexia Tower and Place Rogier in Brussels, Belgium. The project takes as a starting point Brussels 145 m high Dexia Tower, from which 4200 windows can be individually colour-enlightened by RGB-led bars, turning the faade into an immense display.
Instead of considering this infrastructure as a flat screen (surface) displaying pre-rendered video loops, the project is working on the architectural characteristics of the tower and its urban context. The characteristics of the building; orientation, volume, scale… are used as parameters to set up a spatial, temporal and luminous concept, which moreover allows people to directly interact with the tower.
On Place Rogier, at the bottom of the tower, a station is mounted where people can interact either individually or collectively with the tower through a multi touch screen. Both static (touch) as dynamic input (gesture) is recognized to generate an elementary graphical language of points, lines and surfaces combined with physical behaviours (growth, weight, …) taking a monochromatic colour palette (background) combined with black and white (graphical elements).
Once a composition is created, it can be sent as an electronic postcard with a snapshot from the tower, taken from a distant location. It is also uploaded on the specific project website ( www.dexia-tower.com ) where people can retrieve their postcard, as electronic and printable format, with Christmas and New Years wishes from Brussels.
via: Networked Performance

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This is a work that Manuel Braun developped for his Diplôme Nationale Supérieure d’Arts Plastiques in June, and which has just been exhibited in Toulouse at the Centre régional d’initiatives pour l’art contemporain. It is a 5 x 5 pixel array made out of computer fans. Each fan represents one pixel which together make a very singular display.

Déplacements consists of 24 computer case fans forming a rectangle. Each fan is a “pixel”, its number of revolutions and the intensity of the light of its LED change according to the level of gray corresponding to the pixel of reference.

This screen of fans is controlled by a computer simulating a cellular automaton entitled The game of life (devised by John Horton Conway in 1970). In this mathematical model, each fan is a cell.

Video. A work developed  at the Aix-en-Provence School of Art.
via WMMNA… More info at abstractmachine

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Transparent mediafacade at the T-Mobile Headquater Bonn, the world first transparent mediafacade in a size of 300 square meters, being attached to a building, a fine example of a harmonius connection of architecture and media.

The aluminiumslets with the depth of 3 cm and the tickness of only 1 cm were specially designed to fit waterproof LED-cards. The large pixel distance creates the transparency of the construction.

The led modules are integrated in metal extrusions. Due to it´s brightness and it´s fast responding leds this fassade has the ability to display both, static and animated content also during daytime. Content can be updated online by ag4. Thus it is possible to meet the fast changing communication requirements for a company like T-Mobile.
Some technical Details:
Resolution: about 244 000 Pixel
Best viewing distance: 40 meters
via: mediaarchitecture

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LoopScape, by Ryota Kuwakubo, is a game for 2 players with wireless controllers. It is a very classic shooting game. But instead of battling on a flat screen, you have to run around the cylindrical LED screen to follow your spaceship. Another consequence of having a 360° is that once your missile is fired, it will fly round and round until it hits something: hopefully it will hit your opponent’s rocket but you might also get shot down by your own missile if the enemy manages to avoid it.

LoopScape –together with Unreflective Mirror, by Masaki Fujihata, A-Volve by Sommerer/Mignonneau, FragMental by exonemo, and works by five other artists– is part of the Art & Technology Zone, an exhibition area where one can investigate the dialogue between technology and art. The show opens on June 6 and runs until September 9, at ICC, Tokyo.
NTT is also hosting the lovely Kodama installation by Hisako Kroiden Yamakawa.
via WMMNA

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